We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

I'm One Too

by Abakis

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1.
Day Job 03:24
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4.
5.
6.
7.
A Good Mate 03:31
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9.
Home 03:13

about

Supported by folks all over the globe, Abakis' Debut Release creates a technicolor journey from Day Job to Home. "From the buttress to the scaffolding, Abakis knows the scope of her sound; rootsy pop soaked in nuanced complexity." (Hearth Music Blog)
How PAY-WHAT-YOU-CAN works: those who can afford a little extra cover those who can't. When downloading this work, please decide what you feel confident giving, whether that's $0 and a good review on bandcamp, or $200 for a download, I'm grateful for the support, and for the opportunity to make this work.

credits

released December 1, 2014

CREDITS:
Songs written and performed by: Abakis
Aux Percussion: Austin Vaughn & Andrew Lappin
Bass: Jude Webre and Nathaniel Lanier
Backing Vocals: Anna Gothard, Kate C. Ettinger, Kate Foster, Nate Weida, Shane Conerty, Rosie DuPont
Cello: Hanna Collins
Clarinet: Jeremy Viner
Drums: Austin Vaughn
Found Sound: André Baum
Lead Guitar: Andrew Lappin, Shane Conerty
Piano and Organ: Chris Pattishall
Rhythm Guitar: Abakis
Saxaphones: Arnold Lee
Trumpet: Corey Dansereau
Violin: Rosie DuPont, Solo on Tyranny's Plea: Mt. Davidson
Vocals and Melotron: Kate Copeland

Executive Producer and Additional Engineering: Abigail Kiser
Artistic Producer and Additional Engineering: Kate Copeland
Engineering, Mixing, and Additional Production: Andrew Lappin
Additional Engineering: Mark Ettinger

Tracked at Seaside Lounge in Brooklyn, NY
Additional Tracking at Lethe Lounge,NY
& Wonder Room Recording, NY, NY

All Rights Reserved, Abakis Creative Corps.

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about

Abakis Port Townsend, Washington

Growing up singing jazz in her father’s restaurant in Virginia, musical firebrand, and multi-instrumentalist Abakis creates orchestral soulful folk. Hard to pin down, but instantly familiar, her tongue and cheek lyricism, vintage vocals, and Koetke-style picking guitar paint a sonic kaleidoscope. ... more

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